Sean Reynolds

i: melbourne_ghostsigns | w: melbourneghostsigns

I’m the author of Melbourne Ghost Signs (Scribe, 2024) and run the Melbourne Ghost Signs Instagram account (over 30k followers), where I explore the hidden stories of the city’s past. I’ve worked in marketing for television (Ellen, TMZ), video games (The Sims, Need for Speed), and major US brands like Nike and Planned Parenthood. My work focuses on storytelling at the intersection of culture, history, and social change.

Dr Morse

Photographic Inkjet Print, 54.4cm x 42cm

$175

Peter’s Ice Cream

Photographic Inkjet Print, 54.4cm x 42cm

$175

Railway Hotel

Photographic Inkjet Print, 54.4cm x 42cm

$175

Lost & Found: 

False Prophets & Fading Signs

A fake doctor selling liver salvation.

An ice cream empire melted into memory.

A Brunswick pub reborn from scandal and stucco.

Sean Reynolds / Melbourne Ghost Signs

When Kindred Cameras asked me to take part in their Lost & Found exhibition, I had a small existential crisis — the kind that hits when you’ve spent years chasing ghosts through alleyways, rooftops, abandoned buildings, and the back ends of milk bars. I’ve taken hundreds of photos of ghost signs: faded ads, sun-bleached businesses, half-forgotten promises painted onto brick walls and rusted tin roofs.

So how do you choose just three?

I landed on this unlikely trio — not because they’re the most beautiful, or even the most complete. But because they tell the story of Australia’s long romance with invention, illusion, and a good hustle. A fake doctor preaching miracles. An ice cream sign hiding another beneath it, like a Russian doll of dessert nostalgia. A Brunswick pub so wild it needed a basement morgue and a police sting to quiet down.

These aren’t just signs. They’re fragments of myth. Shards of hype. Cultural fossils — once lost, now found.

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