This series of three photographs uses an experimental, assemblage-based process that welcomes instability and subtle disruption. Each image comes from temporary setups of found materials like transparent, reflective, and porous objects, placed in front of the lens and lit by two light sources. These setups are short-lived and are changed repeatedly, highlighting impermanence rather than finality.

The photographs resist clear categorization. Although grounded in physical setups, they collapse distinctions between photography, collage, and object‑based practices. Scale becomes uncertain, materials lose their functional identity, and light operates as both subject and structure. Rather than clarifying form, illumination fractures it.

Throughout the series, small anomalies appear in the form of compressed fragments, soft focus, color shifts, or slight irregularities in repeated elements. These subtle differences make the images feel a bit unfinished and out of place. By using temporary methods and gentle misalignment, the work encourages viewers to look closely and spend time with what does not quite fit in.